Jeb Dunnuck (97)

The 2018 Ornellaia is mostly Merlot but includes a solid amount of Cabernet Sauvignon and tiny amounts of Cabernet Franc and Petit Verdot. It's a gorgeous wine that takes air to show at its best (and deserves bottle age), giving up a terrific array of red and black currants, cedar pencil, tobacco, iron, and savory herbs. These carry to a medium to full-bodied, concentrated, incredibly well-balanced red that has building, ripe, polished tannins, perfectly integrated acidity, a great mid-palate, and one heck of a finish. While not a blockbuster in the exuberant, extroverted sense of the word, it has incredible intensity and depth, and this is a gem of a wine. It needs another 5-7 years to hit maturity and, I suspect, will evolve for 30-40 years.

Jane Anson Inside Bordeaux (93)

Grabs you from the first moment your nose hovers over the glass. Smudged charcoal runs into raspberry, underbrush and mandarin orange peel that speaks of Tuscan sun. Excellent quality, good persistency in the glass as it stretches out through the palate. Everything feels in balance, and this provides another indicator that 2020 is a great vintage in this corner of Italy - Le Volte is (almost) 100% Merlot but has freshness and nuance. Director Axel Heinz, oenologist Olga Fusari.

James Suckling (97)

What a pure and composed chardonnay, full of sea shell minerals, lemon zest, lime and chalk. So elegant and transparent with a mineral-water purity and subtle, soft spoken creaminess. Intense and extremely textured on the palate with tangy, high acidity and a long and delicious finish. You can’t resist a second glass... or a third! Serious, gastronomic and dangerously drinkable. Very Chablis-like. A little austere, but not too demanding. Drink or hold. Around 6700 bottles made.

Decanter (95)

Grown in Sarmiento, the world’s southernmost vine land, some 1,450km from the Uco Valley, this is truly extreme Pinot Noir, withstanding fierce winds, cold temperatures and little rain at high altitude. Helped by consultant Alberto Antonini, winemaker Juan Pablo Murgia ferments the grapes in concrete then ages the wine in untoasted foudres for about 18 months. Anne Krebiehl MW: Red berry, white pepper, heightened aroma. Yum. Concentrated, peppery, bright and wonderful. There is structure and brightness but also vividly pure, tart fruit. Pristine and fresh. Justin Knock MW: Lovely colour, beautiful potpourri aromas! It’s delicate yet firm. Rose hip, white flower, cherry; a touch bitter. Dirceu Vianna Junior MW: Perfumed and vivacious, includes aromas of cherries, cranberries, rhubarb and a hint of spice. On the palate it is elegant, with beautiful silky texture, sophisticated structure and a long, refreshing finish.

James Suckling (94)

A red with very deep and intense fruit character, yet rich tannins to back it all up. Full-bodied, layered and powerful. The second wine of Cos d’Estournel is serious again in 2016. Try from 2025.

James Suckling (94)

A red with very deep and intense fruit character, yet rich tannins to back it all up. Full-bodied, layered and powerful. The second wine of Cos d’Estournel is serious again in 2016. Try from 2025.

The Wine Independent (99)

The Palmer 2019 is deep garnet-purple in color. It needs considerable shaking to unlock notions of baked plums, boysenberry preserves, and crème de cassis, leading to wafts of rose oil and espresso. The medium to full-bodied palate is jam-packed with rich, seductive black and blue fruit, supported by heart-thumping tension and very fine tannins, finishing with epic length and jaw-dropping fragrance. Stunning!

James Suckling (96-97)

There’s brightness and clarity to this young wine, with blackcurrants, violets, lavender and blackberries. Medium body with a sold core of fruit and a long, fresh finish. Fine tannins. Bright acidity. 56% merlot, 3% petit verdot and 41% cabernet sauvignon. From biodynamically grown grapes.

The 2016 Palmer Historical XIX, a vintage now widely recognised as one of the greatest vintages in modern times in both Bordeaux and the Rhône Valley. Jancis Robinson suggests that 2016 is “the best Bordeaux vintage I will probably ever taste” across her extensive career as a Master of Wine.

Château Palmer was the pinnacle of success in 2016 achieving four perfect 100-point scores, giving Bordeaux collector’s even more reason than normal to eagerly add this sought-after wine to their collection.

This wine offers a rare, unique and fascinating historical insight into the history of Bordeaux. It is a collector’s gem, with around 4,500 bottles made.

Whisky Bible (95)

n24, t22.5, f24.5, b24
An ancient bourbon so should be a flavour powerhouse. But this is all about understatement and complexity

Wine Advocate (100)

Produced from 100% Cabernet Sauvignon and sporting a deep garnet-purple color, the 2014 Cabernet Sauvignon Beckstoffer Dr Crane Vineyard offers up a profound and singular nose of loam, rocks and iron ore over a core of black cherries, baked black berries and preserved plums with hints of licorice, dark chocolate, cedar, sautéed herbs and beef broth. Full-bodied, rich and demonstrating great depth with a wonderfully compelling personality, it delivers a multitude of savory meat and toast layers, framed by firm, fine-grained tannins. It finishes with incredible persistence, allowing those provocative mineral nuances to shine through.

Wine Advocate (100)

The second perfect score I have given to a Hobbs Beckstoffer To Kalon Vineyard Cabernet Sauvignon (the other was the 2002), the 2013 is as spectacular as his 2002 was. There are 638 cases of this massive wine that comes across like a first-growth Pauillac. Lead pencil shavings, cedar wood, blueberry and blackberry liqueur as well as hints of forest floor and tobacco leaf are all present in this fragrant, sumptuously textured, full-bodied, massively rich yet sensationally well-balanced Cabernet Sauvignon. It has a finish of well over 55 seconds. This is amazing work, and interestingly, I believe Hobbs was the first to offer a Beckstoffer To Kalon Vineyard designated Cabernet Sauvignon.

Matthew Jukes (18+)

Following on from the terrific 2018 vintage, this is another exuberant wine with an inky dark hue and masses of swirling, black fruit notes. This is certainly the most exotically perfumed Thalabert I can remember and this reflects the unique fruit concentration and ripeness found in this vintage. Once you taste this wine you see that it is not all about the luxuriously appointed nose because the palate is packed with spice and tension and the finish is positively electric. In terms of accessibility and also potential, this wine is a conundrum – how can something so young and attractive also seem so compact and age-worthy? This is the key to all of Jaboulet’s 2019s. The exquisite balance between ravishing fruit and refreshing, robust tannins is mesmerising. This is a stupendous Thalabert and I think it is a notch up on the brilliant 2018.

Matthew Jukes (18+)

Yet another beautiful 2020, Thalabert is deep, dark and brooding in this vintage, and it has an almost Italianate liquorice and black-fruited theme underpinning its Syrah characters. This makes it an indulgent treat, and the palate is more velvety and forward than any young Thalabert I have tasted. In addition, it has the stuffing to age well, too. What more could you ask for?

Matthew Jukes (18+)

Yet another beautiful 2020, Thalabert is deep, dark and brooding in this vintage, and it has an almost Italianate liquorice and black-fruited theme underpinning its Syrah characters. This makes it an indulgent treat, and the palate is more velvety and forward than any young Thalabert I have tasted. In addition, it has the stuffing to age well, too. What more could you ask for?

Matthew Jukes (20++)

Like La Maison Bleue, La Chapelle barely moved an inch over the five days that it sat open (and gradually oxidising) on my tasting bench. This is a monumental wine with the finest Syrah nose I have seen since the ethereal and intriguing beauty of the remarkable 2016 vintage and also the monolithic stance of the legendary 1990. However, this is not to say that this vintage can be directly compared to either year. There is a latent power about this wine that is as elusive as it is impressive. This solaire vintage has certainly given La Chapelle a sense of foreboding power and yet there is so much grace here, too. You could be sniffing a handful of granite and gravel, a bouquet of freshly picked herbs, a mortar of freshly ground pepper or a punnet of juicy black fruit and yet there is so much more to discover here. What I find so remarkable about this wine is that it does not show any trace of over-ripeness nor does it have any unwanted oiliness or excessive alcohol. In spite of its richness and depth, this is a pristinely refreshing wine with crunch and crackle of filigree tannin which enlivens every sip. In this regard, it is a far less obvious superstar than the preening 1990 and it is a more erudite and statuesque model than the esoteric 2016. In short, this is one of only a handful of vintages of La Chapelle to which I have awarded a perfect score and who is to say that this will not happen again before too long? The care and attention in this entire portfolio of wines are evident and the hard work and holistic approach are not only paying off in the vineyards but also in the glass, too, and this makes 2019 another phenomenally successful vintage for Jaboulet.

Matthew Jukes (19+)

While there are faint roasted coffee bean notes here, which hint at the warm summer, and exotic rose and musk characters that only ever emerge in concentrated vintages, this is a masterclass in restraint and self-awareness. While this 2020 perhaps lacks the overall gravitas and high-rise tannins of the majestic 2019 vintage, this is a very seductive La Chapelle and one that will appeal to lovers of textural, velvety Syrahs. I am certain that everyone who drinks this wine will fall for its charms.

Matthew Jukes (19++)

I fell for this wine in a microsecond – the very moment the first molecule of perfume exploded on my receptors. This is a step-change vintage for La Maison Bleue because I have not seen this degree of single-mindedness and overriding intention before in this wine. 2019 La Maison Bleue seems as if it has realised that it does not need to sit behind La Chapelle in Caroline Frey’s portfolio. It signals, loud and clear, that it ought to be seated alongside its more renowned stablemate and be accorded the opportunity to address the masses as an equal, not a subordinate. This is a bold move from this honed, sleek wine. In 2019, with just that little bit more power and ambition under its belt, it has broken free and it looks absolutely sensational. The fruit is regal and layered and the tannins are precision-cut and perfectly positioned making it every inch a superstar. By the end of day five of my tasting these amazing wines, La Maison Bleue seemed as if it were saying, let’s keep going! While this is a ‘finished barrel sample’, this wine wanted to be tested to its limits and I cannot fault its enthusiasm and excellence. You simply must track it down!

Matthew Jukes (18.5+)

With epic balance and stunning poise, La Maison Bleue is a Burgundian-shaped Hermitage in 2020, making it all the more intriguing and memorable. Like the others in this portfolio, the control here is remarkable, and the weight and length are astounding, too. Iodine and menthol hints coupled with garrigue and sanguineous moments add drama and detail to the sleek black core, but this is not an over-ripe or over-enthusiastic wine but a measured and contemplative soul. Delicious.

Matthew Jukes (19+)

There is extraordinary equilibrium in this sensational wine. It is so finely balanced it is baffling, and the depth and richness is offset with the most dramatic acid and strident minerality I have seen in a wine of this style. There are profound meadow-flower and stone fruit flavour here which enchant the senses but they are marshalled brilliantly by the citrus pith and green apple skin raspiness on the finish. This is the most exciting Chevalier I have ever tasted and it rivals the very best whites from this region and others besides.

James Suckling (97)

Very complex with red currants, iodine and iron. Medium-bodied, with a dense yet energetic palate and a long and racy finish showing chalk and gunpowder. Flinty. 52% merlot, 30% cabernet franc and 18% cabernet sauvignon. Tight at the end, suggesting at least four to five years of cellaring. Drink after 2029.

Vinous - Antonio Galloni (100)

The 2020 Pavie Macquin is sensational. Rich, dark and explosive, the 2020 balances the natural richness that is such a signature of the estate with a level of energy and vibrancy I have not seen here in the recent past. The result is a towering, imposing Pavie Macquin that hugely delivers. In this vintage, regisseur Nicolas Thienpont did not use the Cabernet Sauvignon, so the blend is 80% Merlot and 20% Cabernet Franc, with the Franc lending aromatic presence, energy and depth. What a total knock out!

Vinous (92)

The 2020 Syrah North Coast is an absolute delight. It offers up a whole range of floral and savory notes intermingled with red/purplish berry fruit. Fresh and vibrant, the North Coast Syrah is another gorgeous entry-level wine in this range. The North Coast Syrah is a blend taken from various sites, and is made with 100% whole clusters. Aging is done in concrete and neutral oak.

Vinous (97)

The 2019 Syrah Sonoma Hillsides is once again the star of this range from Pax Mahle. Rich and exotic, with notable depth, the Hillsides is quite a bit brighter than the other Syrahs in the portfolio. Red cherry, plum, pomegranate, mocha, spice, leather and tobacco abound. The whole clusters are present, but nearly buried by the sheer intensity of the fruit. As always, the Hillsides is a blend taken from several sites, done with 100% whole clusters and aged in concrete. Every time I taste the Hillsides, I think the same thing: why doesn't Pax Mahle treat all his Syrahs this way?

Vinous - Antonio Galloni (98)

The 2021 Syrah Sonoma Hillsides is just starting to come into its own. Dark and explosive, with tons of energy, the 2021 is a potent, young Sonoma Hillsides. All the intensity of a vintage marked by severe drought comes through in the wine's slightly tough contours, and yet there is more than enough fruit density to match. This has really gained in volume and intensity over the last few years. Bright acids punctuate the finish.

Pazo Senorans Rias Baixas Albarino Seleccion Anada 2012 is the latest released vintage of the wonderful white, and we can rest assured that it is a wine of immense personality. Awarded 98 points from the Peñin Guide, the leading wine magazine in Spain, this sings with fascinating notes of “white fruit, citrus fruit, fine lees, petrol”. It possesses a richly flavourful and elegant palate ending with a lengthy finish.

James Suckling (95)

So aromatic with crushed currants, raspberries and blackberries with hints of graphite and lead pencil. Full-bodied and very tight with beautiful tannins and a long, flavorful finish. The tannins really build at the end of the palate. Try from 2024.

James Suckling (94)

Lots of flint and stone aromas with lemons and green apples. Medium-bodied with a tight and linear palate and a long, flavorful finish. Very intense. Drink now. Screw cap.